“Writing a novel is to fabricate an elaborate lie. The end game is not to recreate reality.” -Craig Larsen in On Historical Fiction, True Stories, and not Recreating Reality on LitHub, October 7, 2016 I grew up in a small…
LOGLINE: A novelist must distill her story into a one-sentence logline, or she will fail to sell her book and will end up alone in a padded room. Anyone pitching a book can relate to the angst of writing a…
If you’ve taken a novel-related class at Boston’s Grub Street, it’s likely you’ve crossed paths with Lisa Borders. Author of The Fifty-First State and Cloud Cuckoo Land, Lisa developed Grub Street’s Novel in Progress classes, founded the Novel Generator, and…
April’s Craft on Draft event focused on portraying fleshed-out secondary characters who bring out the best – and worst – in their characters. Authors Camille DeAngelis (Immaculate Heart), Sara Farizan (Tell Me Again How a Crush Should Feel), and Annie…
Kelly J. Ford’s gripping debut novel, Cottonmouths, recounts protagonist Emily Skinner’s return to her small hometown in the Ozarks. Emily’s irresistible attraction to her former best friend and childhood crush Jody Monroe leads to danger – a meth lab on Jody’s…
I was weeding around the shrubs in my yard this weekend, which gave me a lot of time to reflect on what matters. My answer: Nothing. That’s right. Nothing matters. Let me explain. Maybe you need a better idea of…